{"id":240,"date":"2026-02-20T18:47:05","date_gmt":"2026-02-20T18:47:05","guid":{"rendered":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/?p=240"},"modified":"2026-03-06T18:00:36","modified_gmt":"2026-03-06T18:00:36","slug":"issue-2","status":"publish","type":"post","link":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/2026\/02\/20\/issue-2\/","title":{"rendered":"Issue 2, 2024 Transitions and Transformations"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"791\" height=\"1024\" src=\"http:\/\/sites.ulethbridge.ca\/chinook-journal\/files\/2026\/03\/Chinookissue2cover-791x1024.jpg\" alt=\"\" class=\"wp-image-259\" style=\"width:210px\" srcset=\"https:\/\/sites.ulethbridge.ca\/chinook-journal\/files\/2026\/03\/Chinookissue2cover-791x1024.jpg 791w, https:\/\/sites.ulethbridge.ca\/chinook-journal\/files\/2026\/03\/Chinookissue2cover-232x300.jpg 232w, https:\/\/sites.ulethbridge.ca\/chinook-journal\/files\/2026\/03\/Chinookissue2cover-116x150.jpg 116w, https:\/\/sites.ulethbridge.ca\/chinook-journal\/files\/2026\/03\/Chinookissue2cover-768x994.jpg 768w, https:\/\/sites.ulethbridge.ca\/chinook-journal\/files\/2026\/03\/Chinookissue2cover-1187x1536.jpg 1187w, https:\/\/sites.ulethbridge.ca\/chinook-journal\/files\/2026\/03\/Chinookissue2cover-1583x2048.jpg 1583w, https:\/\/sites.ulethbridge.ca\/chinook-journal\/files\/2026\/03\/Chinookissue2cover-scaled.jpg 1978w\" sizes=\"auto, (max-width: 791px) 100vw, 791px\" \/><\/figure>\n\n\n\n<p><strong>Chinook: A Scholarly Journal of Romance Studies,<\/strong><br><a href=\"https:\/\/uleth.sharepoint.com\/:b:\/s\/chinook\/IQCWTiqptcslQ7-QlIJy-q_nAdzL4z4MifBiVlUsVYG2RTc?e=JTVh9z\"><strong>Issue 2, 2024<\/strong> &#8211; FULL TEXT<\/a><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/uleth.sharepoint.com\/:b:\/s\/chinook\/IQBTIYbkVrgYQJ743GqqLzrkAYjoti-ppjHnZsoJr4fmCuU?e=cEaD3d\"><em>Table of Contents<\/em><\/a><\/strong><\/p>\n\n\n\n<p><strong><em><a href=\"https:\/\/uleth.sharepoint.com\/:b:\/s\/chinook\/IQDU1CFaRcFxRZkAx0Wj0Lu6AcJ0r3UCWUIOPesELnJ2BOM?e=bwO4HX\">Ritual and Photographic Performance of Liminality in J\u00e9r\u00f4me Ferrari\u2019s \u00c0 son image<\/a><\/em><\/strong><em><br><\/em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Krysteena Gadzala<\/p>\n\n\n\n<p><strong><em><a href=\"https:\/\/uleth.sharepoint.com\/:b:\/s\/chinook\/IQBtexg2BaOYQZRnrcytk3M4AUhSSC74qXDJtSfAxv2hweM?e=LTSXjX\">The Doppelg\u00e4nger in Assia Djebar\u2019s \u201cLa femme en morceaux\u201d<\/a><\/em><\/strong><em><br><\/em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Benjamin Hiramatsu Ireland<\/p>\n\n\n\n<p><strong><em><a href=\"https:\/\/uleth.sharepoint.com\/:b:\/s\/chinook\/IQA-f4Px5_BXT41hYeOQoBLzAfwwOW_lqNidlSSWJCwyMwo?e=TmaYFN\">Peinture du pass\u00e9 : Regard, trauma et transition dans Le Pavillon des miroirs de Sergio Kokis<\/a><\/em><\/strong><br>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Liza Bolen<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chinook: A Scholarly Journal of Romance Studies,Issue 2, 2024 &#8211; FULL TEXT Table of Contents Ritual and Photographic Performance of Liminality in J\u00e9r\u00f4me Ferrari\u2019s \u00c0 son image&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Krysteena Gadzala The Doppelg\u00e4nger in Assia Djebar\u2019s \u201cLa femme en morceaux\u201d&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Benjamin Hiramatsu Ireland Peinture du pass\u00e9 : Regard, trauma &hellip; <a href=\"https:\/\/sites.ulethbridge.ca\/chinook-journal\/2026\/02\/20\/issue-2\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Issue 2, 2024 Transitions and Transformations<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":327,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4],"tags":[],"class_list":["post-240","post","type-post","status-publish","format-standard","hentry","category-issues"],"_links":{"self":[{"href":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/wp-json\/wp\/v2\/posts\/240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/wp-json\/wp\/v2\/users\/327"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/wp-json\/wp\/v2\/comments?post=240"}],"version-history":[{"count":7,"href":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/wp-json\/wp\/v2\/posts\/240\/revisions"}],"predecessor-version":[{"id":260,"href":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/wp-json\/wp\/v2\/posts\/240\/revisions\/260"}],"wp:attachment":[{"href":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/wp-json\/wp\/v2\/media?parent=240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/wp-json\/wp\/v2\/categories?post=240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.ulethbridge.ca\/chinook-journal\/wp-json\/wp\/v2\/tags?post=240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}