{"id":10,"date":"2011-04-19T17:03:58","date_gmt":"2011-04-19T17:03:58","guid":{"rendered":"http:\/\/sites.ulethbridge.ca\/surquhart\/?page_id=10"},"modified":"2026-01-21T14:18:19","modified_gmt":"2026-01-21T21:18:19","slug":"publications","status":"publish","type":"page","link":"https:\/\/sites.ulethbridge.ca\/surquhart\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"

Translations
\n<\/span><\/strong><\/h3>\n

4. Living Art. Individual and Collective Creativity: Becoming Paul-\u00c9mile Borduas <\/em>(2011) by J.-P. Warren. Exile Editions: Toronto, 2017, 235 p.<\/p>\n

https:\/\/www.exileeditions.com\/shop\/living-art\/<\/a><\/p>\n

3. Life Sideways<\/em> (2008) by Ga\u00ebtan Brulotte. Ekstasis Editions: Victoria, B.C. 2015, 173 p.<\/p>\n

http:\/\/www.ekstasiseditions.com\/<\/a><\/p>\n

2.\u00a0 The Death of Marlon Brando<\/em> (1989) by Pierre Gobeil. Exile Editions: Toronto, 2013, 123 p.<\/p>\n

http:\/\/mtlreviewofbooks.ca\/reviews\/the-death-marlon-brando\/<\/a><\/p>\n

1. \u00a0Not for Every Eye<\/em> (1960) by G\u00e9rard Bessette. 1962. Exile Editions: Toronto, 2010, 111 p.<\/p>\n

http:\/\/www.readperiodicals.com\/201110\/2606419751.html<\/a><\/p>\n

http:\/\/ambos.ca\/everyeye\/<\/a><\/p>\n

Introductions\/Forewords<\/strong><\/h3>\n

5. “Ga\u00ebtan Brulotte : nouvelliste, romancier, dramaturge, critique litt\u00e9raire et universitaire.” American Review of Canadian Studies <\/em>(ARCS)<\/em>\u00a0<\/em>50.4. (2020) : 522-524 (brief intro to Special Section on Brulotte).<\/p>\n

4. \u00a0Avant-Propos. Les P\u00e9dagogues<\/em> (1961) de G\u00e9rard Bessette. Pierre Tisseyre: Montr\u00e9al, 2017. 5-23.<\/p>\n

3. \u00a0Foreword.\u00a0Life Sideways<\/em> (2008) by Ga\u00ebtan Brulotte. Ekstasis Editions: Victoria, B.C. 2015: 7-19.<\/p>\n

2. \u00a0Foreword.\u00a0The Death of Marlon Brando<\/em> (1989) by Pierre Gobeil. Exile Editions: Holstein, ON, 2013 : ix-xv.<\/p>\n

1. \u00a0Introduction.\u00a0Not for Every Eye<\/em> (1960) by G\u00e9rard Bessette. 1962. Exile Editions: Holstein, ON, 2010: vii \u2013 xv.<\/p>\n

Interviews (refereed)<\/strong><\/h3>\n

3. “Vincent Brault – un auteur qu\u00e9b\u00e9cois \u00e0 d\u00e9couvrir.” Studies in Canadian Literature<\/em> 47.1 (2022) : 285-304.<\/p>\n

2. “Pierre Gobeil : un \u00e9crivain \u00e0 mieux conna\u00eetre.” Voix Plurielles<\/em> 10.1 (2013) : 133-147.<\/p>\n

1. \u201cGa\u00ebtan Brulotte devant son \u0153uvre.\u201d Quebec Studies <\/em>47 (2009)\u00a0: 57-72.<\/p>\n

Journal Articles (refereed)<\/strong><\/h3>\n

19. “Dessins et cartes du territoire<\/em> (1993) de Pierre Gobeil : les fronti\u00e8res de l’espace et de la libert\u00e9.\u00a0 Quebec Studies.<\/em> 80 (Winter 2025) : 29-48.<\/p>\n

18. “Sauvagines<\/em> (2019) de Gabrielle Filteau-Chiba : d\u00e9construire la chasse et refaire le monde.” Voix plurielles<\/em>.\u00a0 Dir. Julien Defraeye et Scott M. Powers. “Entre proie et pr\u00e9dateur : le r\u00e9cit de chasse dans la litt\u00e9rature qu\u00e9b\u00e9coise.” 21.2 (2024) : 87-104.<\/p>\n

17. “Le poids de la neige<\/em> (2016) de Christian Guay-Poliquin : intertextes apor\u00e9tiques et la d\u00e9construction du sens.”\u00a0 Revue japonaise des \u00e9tudes qu\u00e9b\u00e9coises (AJEQ). <\/em>13 (2021) : 52-70. ISSN 1884085X.<\/p>\n

16.\u00a0 \u201cThe Aesthetics of the Monstrous or What We Learn When We Read G\u00e9rard Bessette\u2019s Les P\u00e9dagogues<\/em> (1961).\u201d Chinook\u202f: A Scholarly Journal of Romance Studies. <\/em>1 (2021): 54-66.<\/p>\n

15. “La contagion du r\u00e9el<\/em> (2014) de Ga\u00ebtan Brulotte ou la valorisation de la r\u00e9alit\u00e9 corporelle.” American Review of Canadian Studies (ARCS)<\/em> 50.4. (2020) : 537-548.<\/p>\n

14. “Le fil des kilom\u00e8tres<\/em> (2013) de Christian Guay-Poliquin : la d\u00e9construction du sens.”\u00a0 Convergences francophones. <\/em>6.2. (2020) : 44-54. (Actes de la journ\u00e9e d\u2019\u00e9tude \u00ab \u00c9tat des lieux : la recherche en fran\u00e7ais dans l\u2019Ouest canadien \u00bb, Universit\u00e9 Mount Royal, 12 avril 2019.)<\/p>\n

13. “Poetic Justice in Aki Shimazaki’s 3rd Pentalogy, L’ombre du chardon.<\/em>” JACS (Japanese Association of Canadian Studies) Annual Review<\/em>.\u00a0 39 (2019) : 34-58.<\/p>\n

https:\/\/www.jacs.jp\/wp-content\/uploads\/2022\/01\/2019Urquhart_1.pdf<\/a><\/p>\n

12. “L’hiver \u00e0 Cape Cod<\/em> (2011) de Pierre Gobeil : la recherche du juste milieu \u00e0 l’\u00e9poque hypermoderne.” The\u00a0Rocky Mountain Review of Language and Literature\u00a0<\/em>73.1\u00a0(2019) : 56-72.<\/p>\n

11. “Displacement or the Deconstruction of Place in Three Recent Xavier Dolan Films.” Quebec Studies<\/em>\u00a065 (Spring 2018) : 125-148.<\/p>\n

10.\u00a0\u201cLa vie de biais\u00a0<\/span><\/i>(2008) de Ga\u00ebtan Brulotte\u00a0: la subversion de l\u2019id\u00e9alisme et la d\u00e9construction implicite du discours religieux<\/span>.\u201d Studies in Canadian Literature<\/em> 41.2 (Winter 2016) : 177-200.<\/p>\n

9. “Entre l’ici et l’ailleurs : Cent jours sur le M\u00e9kong<\/em> (1995) de Pierre Gobeil.” Dalhousie French Studies<\/em>\u00a0102 (Summer 2014) : 77-99.<\/p>\n

8. \u201cBorderline<\/em> (2008) de Lyne Charlebois : le d\u00e9placement d’une condition mentale.\u201d Cincinnati Romance Review\u00a0<\/em>36 (Fall 2013) : 55-74.<\/p>\n

7. “La th\u00e9\u00e2tralit\u00e9 dans Les P\u00e9dagogues<\/em> (1961) de G\u00e9rard Bessette.” Quebec Studies <\/em>54 (Fall 2012\/Winter 2013) : 47-63.
\n<\/strong><\/p>\n

6. \u201cLa mort de Marlon Brando<\/em> (1989) de Pierre Gobeil ou comment \u00e9crire le silence et dire l\u2019indicible. Studies in Canadian Literature <\/em>37.1 (2012) : 175-191.<\/p>\n

5. \u201cG\u00e9rard Bessette (1920-2005) : a \u2018monstre sacr\u00e9\u2019 in French Canadian literature.\u201d Studies in 20th<\/sup> and 21st<\/sup> Century Literature<\/em> 35.2 (Summer 2011) : 316-342.<\/p>\n

4. \u201cLes anthropo\u00efdes<\/em> de G\u00e9rard Bessette : transgression et \u00e9volution.\u201d\u00a0Revue-@nalyses.org<\/em>. Dossiers, G\u00e9rard Bessette 4.2 (2009), 306-323.<\/p>\n

3. \u201cEntre exil et asile\u00a0: l\u2019inter-dit silencieux dans Le pavillon des miroirs<\/em> de Sergio Kokis.\u201d\u00a0Voix<\/em> Plurielles<\/em> (revue en ligne) 4.2 (Sept. 2007)\u00a0: 1-15.<\/p>\n

2. \u201cLa vision \u00e9conomique dans les ballades et les rondeaux de Charles d\u2019Orl\u00e9ans.\u201d\u00a0Orbis Litterarum<\/em> 59.6 (2004)\u00a0: 397-415.<\/p>\n

1. \u201cLe savoir moralisateur d\u2019Eug\u00e9nie Grandet<\/em>.\u201d South Carolina Modern Language Review<\/em> (online journal) 3.1 (2004).<\/p>\n

Articles in Edited Volumes & Conference Proceedings (refereed)<\/strong><\/h3>\n

9. “Que serions-nous sans le secours de ce qui n’existe pas ?<\/em> (2020) de Simone Chaput : d\u00e9construction des absolus et\u00a0 \u00e9loge de la diff\u00e9rence.” Simone Chaput. Espaces, cultures et identit\u00e9. <\/em>(Dir.) Adina Balint, Ir\u00e8ne Chassaing, Lise Gaboury-Diallo, Jimmy Thibeault. Ottawa: \u00c9ditions David, 2024. 77-99.<\/p>\n

8.\u00a0 “Splendeurs et mis\u00e8res de l’homme occidental<\/em> (2015) ‘roman’ inter-dit de Pierre Gobeil.” Agapes francophones 2022<\/span><\/i>. Sur l\u2019expression (non)conforme de la pens\u00e9e politiquement in.correcte.\u00a0 <\/i><\/span>Actes du XVIe<\/sup> Colloque International d\u2019\u00c9tudes Francophones \u00ab Politiquement (in)correct en francophonie. (In)Conformismes de la pens\u00e9e et de la parole \u00bb. Universit\u00e9 de l\u2019Ouest de Timi\u015foara les 17 et 18 mars 2022. \u00c9d. Georgiana I. Badea et Andreea Gheorghiu. Timi\u015foara,\u00a0Editura Universit\u0103\u0163ii de Vest, <\/span>2023. 129-145.<\/p>\n

7. “Champagne<\/em> (2008) de Monique Proulx : une repr\u00e9sentation sublime de la Nature.” L’Appr\u00e9ciation langagi\u00e8re de la nature : la nature, le texte et l’artifice<\/em>. XXII Coloquio de la APFUE<\/em>. Ja\u00e9n : Universidad de Ja\u00e9n, Espana, 2017. 571-582.<\/p>\n

6. \u201cLa th\u00e9\u00e2tralit\u00e9 dans La vie de biais<\/em> (2002) de Ga\u00ebtan Brulotte\u201d Portait d’une pratique vive. La nouvelle au Qu\u00e9bec (1995-2010).<\/em> Ed. Ren\u00e9 Audet et Philippe Mottet. Montr\u00e9al : \u00c9ditions Nota bene, coll. “contemporan\u00e9ites.” 2013. 169-192.
\n<\/span><\/p>\n

5. “Les al\u00e9as de l’alt\u00e9rit\u00e9 dans Comment devenir un monstre<\/em> de Jean Barbe.” Visages de l’Autre dans les Balkans et ailleurs. <\/em>Ed. Mihaela Chapelan. Craiova, Roumanie: Editura Universitaria, Coll. “\u00c9tudes fran\u00e7aises.” 2012. 312-329.<\/p>\n

4. \u201cSolibo Magnifique<\/em> ou comment le conte devient t\u00e9moignage.\u201d\u00a0Autour de Patrick Chamoiseau<\/em>. \u00c9d. T Swoboda, E. Wierzbowska, O. Wronska. Sopot, Pologne\u00a0: Fundacja Rozwoju Uniwersytetu Gdasnskiego, coll. \u00ab\u00a0Cahiers de l\u2019\u00e9quipe de recherches en th\u00e9orie appliqu\u00e9e\u00a0(ERTA).” 2008. 29-38.<\/p>\n

3. \u201cL\u2019esth\u00e9tique du monstrueux dans Le libraire<\/em> (1960) de G\u00e9rard Bessette.\u201d Monstres et monstrueux litt\u00e9raires<\/em>. \u00e9d. Marie-H\u00e9l\u00e8ne Larochelle. Qu\u00e9bec\u00a0: P de U Laval, 2008. 172-193.<\/p>\n

2. \u201cLa repr\u00e9sentation du silence dans Mort \u00e0 cr\u00e9dit<\/em>.\u201d M\u00e9decine<\/em>. Actes du Quinzi\u00e8me Colloque International de<\/em> L.F. C\u00e9line<\/em>, le 9-11 juillet 2004, Budapest. Paris\u00a0: Soci\u00e9t\u00e9 d\u2019\u00c9tudes C\u00e9liniennes, 2005. 243-262.<\/p>\n

1. \u201cLa philosophie dans le boudoir <\/em>: le boudoir sacrificiel.\u201d\u00a0Lire Sade<\/em>. \u00e9d. Norbert Sclippa. Actes de colloque du premier colloque international sur Sade aux USA, le 12-15 mars 2003,\u00a0 Charleston, Caroline du sud. Paris\u00a0: Harmattan, 2004. 173-186.<\/p>\n

Encyclopedia Entries<\/strong><\/h3>\n

1. \u201c\u00a0La cr\u00e9ation de G\u00e9rard Bessette<\/em> de R\u00e9jean Robidoux.\u201d Dictionnaire des \u0153uvres litt\u00e9raires du Qu\u00e9bec<\/em> (1986-1990).<\/em> Tome VIII. Montreal, Fides, 2011.<\/p>\n","protected":false},"excerpt":{"rendered":"

Translations 4. Living Art. Individual and Collective Creativity: Becoming Paul-\u00c9mile Borduas (2011) by J.-P. Warren. Exile Editions: Toronto, 2017, 235 p. https:\/\/www.exileeditions.com\/shop\/living-art\/ 3. Life Sideways (2008) by Ga\u00ebtan Brulotte. Ekstasis Editions: Victoria, B.C. 2015, 173 p. http:\/\/www.ekstasiseditions.com\/ 2.\u00a0 The Death of Marlon Brando (1989) by Pierre Gobeil. Exile Editions: Toronto, 2013, 123 p. http:\/\/mtlreviewofbooks.ca\/reviews\/the-death-marlon-brando\/ 1. … Continue reading Publications<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":30,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.ulethbridge.ca\/surquhart\/wp-json\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.ulethbridge.ca\/surquhart\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.ulethbridge.ca\/surquhart\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.ulethbridge.ca\/surquhart\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.ulethbridge.ca\/surquhart\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":117,"href":"https:\/\/sites.ulethbridge.ca\/surquhart\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":396,"href":"https:\/\/sites.ulethbridge.ca\/surquhart\/wp-json\/wp\/v2\/pages\/10\/revisions\/396"}],"wp:attachment":[{"href":"https:\/\/sites.ulethbridge.ca\/surquhart\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}